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Once Upon A Time In Paris - Erik Satie

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Erik Satie - Gymnopédie No.1

Satie was introduced as a "gymnopedist" in 1887, shortly before writing his most famous compositions, the Gymnopédies. Later, he also referred to himself as a "phonometrograph" or "phonometrician" (meaning "someone who measures (and writes down) sounds") preferring this designation to that of "musician," after having been called "a clumsy but subtle technician" in a book on contemporary French composers published in 1911.

Éric Alfred Leslie Satie (French: [eʁik sati];[1] 17 May 1866 – 1 July 1925), who signed his name Erik Satie after 1884, was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd

Satie was a colourful figure in the early 20th century Parisian avant-garde. He was a precursor to later artistic movements such as minimalism, repetitive music and the Theatre of the Absurd.
The Gymnopédies, published in Paris starting in 1888, are three piano compositions written by French composer and pianist, Erik Satie.

Since 1911 he had been on friendly terms with Igor Stravinsky, about whom he would later write articles.Le piège de Méduse (1913) had a unique position in Satie's oeuvre, as it was a stage work conceived and composed seemingly without any collaboration with other artists.Sports et divertissements was a kind of multi-media project, in which Satie provided piano music to drawings made by Charles Martin. The work was composed in 1914, but not published or performed until the early 1920s. The individual pieces are characteristic Satie "miniatures": in all, there are twenty pieces - none over two minutes in length, and some as short as 15 seconds.He got in trouble over an insulting postcard he had written to one of his critics shortly after the premiere of Parade; he was condemned to a week of imprisonment, but was finally released as a result of the (financial) intercession of Winnaretta Singer, Princess Edmond de Polignac.Singer, who had learnt Ancient Greek when she was over 50, had commissioned a work on Socrates in October 1916; this would become his Socrate, which he presented early in 1918 to the Princess.

- Gymmopedie No. 1.
- Gnossienne No. 1
- Gnossienne No. 3
-GnossienneNo. 4
- Gnossienne No. 2

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